The summer movie rush is upon us leading with Guardians of the Galaxy Vol. 2 and promising a plethora of blockbusters to come. Last weekend’s big entry into the fray is Ridley Scott’s latest foray into one of the first movie franchises he started back in 1977. Alien: Covenant is Scott’s second film after James Cameron’s highly successful action adaptation of the title. Scott’s original Alien was a true horror film set in space, while Cameron’s sequels were a collection of action-packed battle royals. Scott wanted to put the horror back in the story when he released Prometheus in 2012 and its sequel Alien: Covenant
this summer. Unfortunately, neither Prometheus nor Covenant is particularly scary.
Prometheus was received with mix reviews in 2012, but is generally considered a pale reflection of the alien story. It attempts to fill in the back story of how the Xenomorph we’ve come to know and love got its start. It tells a bleak story about the dawn of humanity and the progenitor of both Humanity and the Xenomorph. Covenant continues that story while trying to get closer in tone and theme to the original 1977 Alien.
If nothing else, it succeeds in copying the feel and tone of the original. The ship design and visuals harken back to the first film and even the sound effects on the Covenant are eerily similar to those on the Nostromo.
The Covenant is a colony ship ferrying more than 2000 people and 1500 embryos to a new world more than 7 years away when the ship encounters a severe ion storm and is damaged. While repairing the ship, the crew detects a signal that shouldn’t be there and goes to investigate. Of course, they find trouble that puts the lives of the crew and colonists in jeopardy.
The plot is so familiar that it is easy to figure out who will die and who will live and the only surprise comes at who will go first. The hero of the film is unsurprisingly a woman named Daniels, played by current “it-girl” Katherine Waterston, who must overcome all odds to save as many as she can and defeat the xenomorphs.
While the film was entertaining and possessing a certain nostalgia for recalling the feel of the first film, it misses in originality and sadly lacks character development. Daniels doesn’t show any growth through the film. We don’t see the “Ripley” moment where she is forced to discover her unknown, never-before-seen inner warrior. The film’s antagonist, David, introduced in Prometheus and played again by Michael Fassbender, is similarly lacking development, though it is not Fassbender’s fault. His alter ego, Walter, shows great development. None of the other characters are there for any reason other than to be Xenomorph chow, which was disappointing because the story hinted at some much needed tension in those characters’ stories that was never realized.
There were one or two scenes where the suspense did build, but sadly, they resolved before hitting the crescendo of panic that a good horror film provides, and real suspense comes from not being able to see the ending; not knowing how the hero will resolve the conflict. This film telegraphed every turn by following the formula set forth by its predecessor. That, coupled with a disappointing ending and a predictable cliff-hanger leaves one bored and definitely not afraid. While it is better than Prometheus, it’s nowhere nearly as scary, suspenseful, or satisfying a film as the original. At best, it’s a “Meh.”