Category Archives: Media

Play The Game

As a child of the 70’s and a teen of the 80’s, I find shows that delve into the pop culture of those decades particularly compelling. I thoroughly enjoyed the Netflix series Stranger Things which featured so many Easter eggs of the 80’s it has become a cultural phenomenon for this decade. Easter eggs are small hidden references in media that harkens to another film, show or game. Cultural Easter eggs are also the point of Stephen Spielberg’s latest film, Ready, Player One, and viewers will spend much of the film trying to identify all of them. The movie is an adaptation of the novel by first-time author Ernest Cline, a self-described child of 80’s culture who takes the title from the experience of playing most 80’s video games. While most viewers will find satisfaction in this film looking for and identifying the parts of 80’s pop culture that are significant to them, the movie does work on its own merits as well, although it does have to overcome one or two challenges to do it.

The movie centers around a young man in a dystopian future where people escape the pain of daily life by plugging into a virtual reality world called the Oasis where people can become anyone they wish to be. Many people chose to become super heroes or characters from films and TV. The Oasis is so pervasive that its virtual economy drives the real world economy. The Oasis was designed and built by two men who have become legends to users and when they end their partnership, it creates ripples across the world. One of them dies and leaves his stake in the oasis to the person who can complete three puzzles in the Oasis to unlock Easter eggs and win the contest. Much like the sword in the stone, no one has proven worthy to win the challenge. Until now.

The Hero of the film is Wade Watts (AKA Parzival), portrayed by Tye Sheridan, a loner who competes in the contest as a loner without the benefit of a “pack.” He does, however, have other loners that have become friends while idolizing the mysterious player known only as Art3mis. Parzival and his friends soon realize that in order to beat the corporate team known as the IOI’s to the win the game, they must pool their knowledge. But even then, will it be enough?

The film is almost entirely CGI, since most of the engagement is in the Oasis, with the occasional back story being filmed with the real actors. One would think that with this technological advantage, the 3-D version of the film would be spectacular. Unfortunately, it did not use the technology to its advantage and the 3-D was subpar, even though the imagery was very good. The textures were some of the best yet, especially the skin textures of the character’s avatars. It was difficult to distinguish between the CGI and the actual film sets in some scenes.

The acting was probably the biggest challenge the film facing it, as most of the cast are unknowns and their performance was rather stiff and stilted. Add the fact the CGI avatars suffer from the CGI inability to convey the subtleties and nuances of human expression and the performance suffers accordingly.

The story does fall into the standard quest formula with the requisite challenges the protagonist must overcome to reach his goal, but the characters do a good job of driving the story through the plot by being engaging and easy with which one can identify. The other challenge is that the film is long at two-and-a-half hours and drags at times. If the script had been tightened up, the film would have flowed much better.

Ready, Player One is a good movie to enjoy in the cinema, although not necessarily in 3-D. Spend the time watching for the Easter eggs that are individually significant, as there has to be at least one. Parzval drives a DeLorean that is a mash-up of Marty McFly’s time machine from Back to the Future, the Ghostbuster’s hearse and KITT from Knight Rider. The Iron Giant makes an appearance, as does King Kong, and MechaGodzilla. The reference to the 1980 film Excalibur was my personal favorite.

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What Kind of SJW Are You?

I’m not one to say I told you so (OK, maybe I am) but the recent Facebook scandal has illustrated the very concerns I have been sharing for years. Social networking has exploded in the past decade with people connecting and interacting on various platforms such as Twitter, LinkedIn, Instagram, and of course, Facebook, sharing their daily lives, their ideas, dreams, concerns, dinner plans, etc. During the whole process, cries of privacy and safety concerns have come from many corners since all of the sharing reveals data that criminals could use to target new victims. The obvious culprits are pedophiles, burglars, and identity thieves, but this latest controversy has identified the real danger: data mining. The data comes from not only the profiles users build but also from user activities online, such as those inane quizzes that come across your Facebook feed. I have warned people about taking these quizzes for years.

When anyone sets up a social media account, the site requires a lot of information that seems quite logical to build a profile. Name, email, phone number, and birth date seem like reasonable information to build a profile, so people readily give up this info. But data mining sites don’t stop there. They want more. The reason they want more is not [just] to make the site more usable, but to make more money. Social networking sites sell user data to various marketing firms to generate revenue that keeps the site running. Users get ads that are targeted to them based on the information they share on social media sites. The more data provided by the user, the more targeted that ad.

The profile is not the only way that data gets collected, user activity actually provides way more data for these firms. Online quizzes ask seemingly innocuous questions that generate tons of data. These quizzes offer to let the user know what the user’s color says about them, what super hero they would be, and what their name means in Elvish among other things, and people clamor to give up their private information. Not only do they willingly do this, they also give up access to their online friend’s profiles. The data mining firms are cleaning up with all the data they have available and the marketing firms are loving sending specific ads so they can charge more to the advertisers. All this comes from those innocuous social profiles.

Now the media is up in arms about how user data has been collected supposedly to effect the presidential election. First it was Russian collusion, now it is Cambridge Analytica that ruined the Clinton presidency that the media had prepared to celebrate. The real fact of the matter is that Cambridge Analytica did nothing more than any other data firm has been doing since the birth of the Internet. They collected data and sold that data.

Was Facebook complicit in this supposed breech of public trust? Yes and no. They created the platform that makes such interaction possible and they built the system that sells the data to pay for it. Did Mark Zuckerberg set out to ruin Hillary’s presidential chances? Of course not. That was just a bonus.

Now the internet’s social justice warriors are promoting the hashtag #deletefacebook to call on users to quit the social media giant as a form of punishment. These people think that since their data—that they happily gave up on their own—was used in a way that they don’t like, the site that collected that data must be shut down.

It is just another example of how society refuses to accept any personal responsibility for their actions. They gave up the data willingly. Once you give it up, what it is used for is no longer your concern. You don’t want Cambridge Analytica to sell your data, don’t take the stupid online quizzes.

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The Black Panther Claws the Box Office

A second super hero movie has the internet all atwitter this week with accolades such as “historic” and “triumphant” pretty much for the same reasons.  Last year’s Wonder Woman was the first female super hero movie and the first directed by a woman.  This year, “The Black Panther” is touted as the first super hero movie with a Black protagonist and directed by a black director.  Now the veracity of that claim can be and has been debated, but that is irrelevant to the quality of the film.  The Black Panther is a character in the Marvel Cinematic Universe (not the only black one) that interacts with the Avengers.  His character was introduced in 2016’s Captain America Civil War and played a major role in the events of that film.  In this movie, we learn more about the Black Panther and his alter ego, King T’Challa, ruler of the fictional African country of Wakanda, but the focus of this movie is not really T’Challa or the Black Panther.  One could argue the movie is actually about Wakanda.  As Wakanda is in Africa, it follows that this movie will feature predominately black characters.  In fact, the only principle characters that are not black is Andy Serkis’s Klaw and Martin Freeman’s Ross.  Given the setting of the movie and the characters, one would expect certain social commentary about race relations.  This film does not shirk in this regard, and in fact, is a bit “in your face” about it, almost too much so, which is the only problem I have with this otherwise enjoyable action movie.

One observation that bears notice is that story told in “The Black Panther”, while set within the MCU, has absolutely no bearing on the greater MCU story arcs. There is no mention of the Infinity Stones, the Avengers or any other heroes at all.  In fact, it almost seems as though Freeman’s Ross was tacked on just to tie it in, as his presence really doesn’t move the plot much.  Having said that, he does offer a bit of humor.

The rest of the cast turn in solid performances.  Chadwick Boseman reprises his role as King T’Challa and brings the same brooding strength to this performance.  His likeable naiveté dares the viewer not to like him.  His skills as the Black Panther, while impressive, are still developing and he finds himself in dire straits on more than one occasion.  Boseman conveys this and portrays T’Challa’s learning process convincingly.

Angela Basset stars as T’Challa’s mother and brings out his humanity along with Letitia Wrght’s performance as Shuri, T’Challa’s sister.  We also meet his ex-girlfriend and the general of the king’s guard, who all serve to help T’Challa face his first major challenge as king: A literal challenge for the throne from his American cousin, Killmonger, played by Michael B. Jordan.

The story is full of intrigue and more than one plot twist and if the writers and producers had left it at that, it would have made for an outstanding movie.  But with the current social climate, they couldn’t resist attacking the perceived “white-dominated” power structure in the world that was only serving to keep down “those who look like us,” as Killmonger says.

Of course, the film will win the box office.  It is an MCU film, after all, and opening on a weekend bereft of any real box office competition.  The movie was enjoyable, but it doesn’t rank as high as Civil War or Guardians of the Galaxy, and while it is good, it is not quite historic or triumphant.  Movies should earn those accolades with plot, character and message, not by the gender or the color of the skin of the actor or director.  I still give it a thumbs up.

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Model Trains Showcase the Best of Texas

2018-01-06 Train cover artA state the size of Texas is not only full of a rich history and a diverse culture, but it is also home to some of the most awe inspiring and picturesque natural landmarks in the country.  Presenting all these features to the viewing public is one of the primary missions for the Houston Museum of Natural Science, a mandate the museum takes seriously, but one that David Temple, Associate Curator for Paleontology, believes can be fun as well.  The museum, which tries to design exhibits with a Texas theme, debuted a new feature last November for the holiday season called Trains over Texas, showcasing the best the state has to offer in 1/48th scale perspective using a traditional Christmas toy to do it.

2018-01-06 Train experience HLDSC_7163With landmarks such as Enchanted Rock, Pedernales Falls, and Big Bend National Park highlighted alongside man-made features like the Alamo, the Tower of the Americas and the Houston Ship Channel, the state is well represented in the tennis-court-sized display nestled in the main hall in the museum’s exhibition center, right next to the video monitor where guests can see themselves walking among computer-generated dinosaurs before visiting the trains.  Kids are the main draw for the exhibit, which Temple says is as it should be.  “We have an educational mandate,” he said.  “We look for things that promote learning and hands-on activities.”  Carrying that mandate forward, Temple says the museum plans on expanding the display to include trains that guests can actually control.  The current setup is not designed with that level of interaction, but according to docent Carl Olsen, President of the Gulf Coast chapter of the Train Collectors Association, the kids have come in droves just the same.  Many local schools bring several classes of children to the museum on field trips throughout the week.  “We had roughly 2500 kids at one time,” he said of opening day. 2018-01-06 Train Pic 1

The exhibit is segmented into three primary sections with anywhere from five to six trains running in each section.  There are places where guests can crawl under the track and observe the train from inside the loop.  Two-year-old Conrad Kuhn was running around the display, the track at a perfect eye-level for the tow-headed youngster, as his mom, Amanda Kuhn of Pearland, watched.  “They love trains,” she said of her two sons. The Kuhns have attended the exhibit four times since its November opening.  In fact, the family became members of the museum because they love the trains so much. “They have a couple at home with wooden tracks they love to play with,” she added.  Conrad echoed his mom’s statement, saying that he loves choo choo trains, but adding that “Thomas is sick.”  The display has a hidden track that runs under the main display where Thomas, the Tank Engine, runs in a circle.  The area has a viewing window that kids can crawl under the display to see.  On this day, Conrad was distressed to find that Thomas was out for maintenance and a street car had taken his place on the track.

2018-01-06 Train track HL

The trains at HMNS are powered by six transformers to drive the eighteen trains running at any given time.  Keeping the system up requires regular maintenance.  Olsen and his crew of volunteers are members of fourteen train collecting clubs in the Houston Area. They volunteer their time by attending to the display, answering questions from the guests,  maintaining and repairing the trains and tracks to ensure the exhibit remains fully operational.

DSC_7270The Train Collectors Association members trained museum staffer David Herrada in the care and maintenance of the trains, a job Herrada takes very seriously.  Working in a cramped compartment behind the west Texas part of the diorama, Herrada meticulously cleans the wheels of the cars and replaces worn out components as they break.  “Lionel trains are durable, but where the average train set might run sixteen hours in a year, these trains run eight hours a day, seven days a week,” he said.  In order to prevent breakdowns, the trains run for three minutes and then stopped in place to cool down for a minute.  Herrada and the association volunteers do work hard to complete any needed repairs, but sometimes, as with poor Thomas, the damage may be too great. “If we can’t repair it, we have to send it back,” Herrada said.  The Trains are sent to Lionel or TX Trainworx for warranty work or replacement.  Fortunately, despite the amount of wear and tear, the trains keep running and they have only had to send about eight trains back over the course of the exhibit.   The entire display is O-scale, which is 1:48 size and according to Olsen, “…is a reliable scale that you have minimal problems with.”

Deciding on which of the several model scales to use was part of the development process that occurred over a two-year period.  The museum’s board of directors, responding to a request from a prominent museum patron—an avid train enthusiast named Glen Rosenbaum,—reached out to Dallas-based TW Trainworx, for help.  Rosenbaum had TW Trainworx build a large train display of his own at his home, but no where near the size of the Museum’s.  The Houston-based attorney describes himself as a bona-fide train nut who has enjoyed a lifelong passion for trains. “It’s very relaxing to watch these things lumber around the room.  I’m also fascinated by the power, the size, and the history.”

TW Trainworx owner Roger Farkash says his company caters to the train enthusiast from the individual hobbyist to large corporate clients like the Ronald McDonald house to build large scale models.  Displays like Trains Over Texas are a good way for people to enjoy model railroading, a hobby that is becoming expensive to enjoy at home.  Farkash said that the cost of train sets have risen dramatically since the hobby’s heyday in the sixties and seventies, when it was common to have a train set at home especially at Christmas.  Part of the rise in cost is because of new technologies that improve the user experience with sounds and smoke and digital controllers.  To have a layout with the level of detail that Trains over Texas features is not an inexpensive option.  Farkash said that the cost ranges from $250 to $300 per square foot and can go up into the thousands per square foot depending on the level of detail and technology of the models.  For those who do decide to have a display built, the main consideration is size.  “What they typically want to do is find the largest room that they can spare and fill the room.  There really isn’t an average size.  People want to fill the largest room they can afford.”

2018-01-06 Train ticket HL

Photo Nov 17, 10 35 15 AM

The Selection of the models and landmarks used in the museum’s exhibit was made by the board of directors.  The theme is based on Texas’ history with trains and how important they were in the expansion and development of the state over the years.  The sites selected for the display include any city that features a rail museum or historic train depot.  The Pecos River bridge features prominently in the display, spanning from one display to another over the entry into the museum’s giant Foucault pendulum, so visitors can walk under the bridge.  The Houston ship channel is up front and is one of the first aspects seen by visitors.  Interspersed between the town models are representations of natural features including the Chisos mountains of Big Bend, the Rio Grande and Enchanted Rock.  “The funny thing about models is you have to compress space,” Temple said.  “You almost have to present small little vignettes.  Capture the high points…or the flat points depending on the geography,” he added with a smile.  TW Trainworx built the exhibit using urethane foam and latex paint to form the mountains, and other synthetic materials for the grass, trees and gravel.  Farkash and his team worked hard to make the setup modular, so it could be taken apart and moved, but still look seamless.

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The modular design will be useful when the exhibit reopens in November, as the museum intends on expanding the feature for a larger display area.  The exhibit initially featured several large Christmas trees, in keeping with the tradition of trains at Christmas, but after the holidays, the trees were replaced with representations of Atlanta and Boston as well as Reliant stadium to commemorate Houston’s hosting Superbowl fifty-one. Temple says that this year’s exhibit will still have a Christmas theme, but probably without the large trees.  “They took up a lot of space that we can use for more models,” he said.  The exhibit will run every year from November to January, then it will be stored and redesigned for the next year. Admission to Trains over Texas is included in the price of the general admission to the museum.

 

This article appears in the December, 2017 issue of TexasLiving Magazine.

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Searching For Hope: The Last Jedi Answers

Questions answered and questions raised: That could be the subtitle of the latest in the Star Wars franchise hitting theaters this weekend. The Last Jedi picks up immediately after the events of The Force Awakens, with the resistance evacuating their base and Rey finding Luke Skywalker and Fynn in a coma. That first of the third trilogy left a lot of plot threads hanging and a lot of questions unanswered. The Last Jedi follows suit, but does so in a much better fashion, with much better writing.

The First Order has the republic on the ropes, with the remnants of the imperial rebellion now calling themselves the resistance and scattered to the outer rim planets while the command core is trying to escape the First Order’s dreadnaught. The future looks bleak for our heroes as they fight to hold onto that one thing that they hold most dear: Hope. For some, that hope is embodied in the last Jedi Master who has been missing for many years, Luke Skywalker. For others, hope is in the form of the new cadre of heroes like Poe Dameron and Fynn Rider. Everyone will begin to lose hope as the First Order closes in.

While both this film and The Force Awakens are produced by J.J. Abrams, this one was written and directed by Rian Johnson, with George Lucas sharing the writing credit. Perhaps it was the new writer, perhaps it was a fresh vision, but The Last Jedi stands taller as a standalone story and less of a retread like its predecessor. The Force Awakens had too many similar elements with A New Hope and felt too familiar and predictable. The Last Jedi dares the viewer to try to predict the outcome as it offers multiple threads that twist and interweave with each other. Some may try to draw similarities with The Empire Strikes Back, and, superficially, there may be. It is the second act in a three act story, and as such, certain things typically happen with regard to the hero’s struggle. They happened in The Empire Strikes Back and they happen in The Last Jedi. It is how they happen that sets this story apart.

The characters actually relate with each other better in this story and act within the established motivations that Johnson established for them. The newer characters of Rey, Fynn and Kylo are now much more fully realized and relatable, making a connection with the viewer that they lacked in The Force Awakens. The Last Jedi adds even more new characters, such as Laura Dern as Vice Admiral Holdo and Kellie Marie Tran as Rose, and each of them makes a lasting connection to the story and the viewer.

There is one thing about Abrams that even the most dedicated opponent cannot deride and that is his artistic visuals. If there was one thing that could be considered problematic, it would be that he relies too much on the visuals at the expense of story—a problem that plagued Abrams’ Star Trek. The Last Jedi doesn’t suffer for its visuals, indeed, they accentuate the story by how appropriate to the mood and setting they are. The sacrifice of the heavy cruiser is one of the most arresting visuals in the entire Star Wars franchise and drew a collective gasp from the audience.

The Last Jedi tells a new chapter in the epic Star Wars story and picks up where The Force Awakens left off. Some of the questions left hanging at the end of Force Awakens do get answered such as what happened to Ben Solo and why did Luke go into hiding. The question of exactly who Snoke is and where he came from is rendered moot. There is even an answer given as to who Rey’s parents are, but the answer is, of course, in question as even more questions come to the fore. Those questions will drive the discussion boards for the next two years.

The Last Jedi will win the box office for its opening weekend, and the Christmas season and probably for the year. Once word of how much better the writing is gets out, it will be heralded as one of the best of the franchise. It is much better than The Force Awakens, better than all three prequels combined and at least as good as The Empire Strikes Back, even if it does leave the viewer asking more questions.

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For Want Of A One-Liner

If the World Series has taught anything it is that it is impossible to carry momentum indefinitely.  Marvel is about to discover that axiom this weekend with their release of the third Thor movie in the Marvel Cinematic Universe: Thor Ragnarok.  The MCU now features seventeen films that have enjoyed almost universal success.  They have all made huge box office and generated a great fan following, but as with any franchise, there are those who rank the films from best to worse and the two previous Thor movies almost always rank toward the bottom of the list.  Ragnarok will premier below even them.

One of the things that has endeared the MCU movies to the fans is a tangible sense of humor.  None of the films, even the most dramatic of them, takes itself too seriously and all have been peppered with more than a few snappy one liners that have become the hallmark of the MCU and something the DCEU has been lacking.  But as with anything good, someone will always ask for too much of a good thing.

No spoilers here, but the term Ragnarok refers to the destruction of Asgard and Thor spends the film trying to avert that destruction, which seems assured as Hela, played by Cate Blanchet, lays waste to the Asgardian defenders and casts Thor out.  Our hero must rally a team to defeat Hela and save Asgard, so he happens upon the Hulk and a disgraced Asgardian Valkyrie to enlist their help.

Ragnarok has a lot going for it.  It features not only Thor and Loki, but also the Hulk engaging in a battle royal with nothing less than the future of Asgard in the balance.  But with all the action, the studio went overboard with the one liners.  Thor has not one whit of his serious, responsible attitude so often displayed in both his previous films but also in the Avengers movies.  This Thor spends most of this film wise cracking and making poor jokes.  Even the Hulk, who talks more in this movie than in all other MCU films combined, if full of wise cracks.  Add Jeff Goldblum as the near maniacal Game Master and the silliness reaches nauseating levels.  The teaser trailer should have been an indication of the level of silliness when Thor turns to the Game Master and says of Hulk “We know each other!  He’s a friend from work.”

With all the wanton destruction (and there is plenty) it is difficult to feel the sense of loss that by all rights should have the audience near tears when the cast is so busy whipping out one liners.  I found it difficult to enjoy this film and found myself sighing a lot during the two-and-a-half hour show, wishing it would wrap up.  That is not an indication of a good movie.  Thor Ragnarok is the worst film of the Thor films, which are the worst films of the MCU.  It is a shame.  It is also a shame that the next entry to have to swing the momentum back is a movie featuring the little known Black Panther in February before the next Avengers movie.

 

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Where To Find West Texas Jewels

Forty miles southeast of Lubbock, Texas, at the intersection of Highways 84 and 380, on a small parcel of flat land, rests a little jewel of Texas history. The town owes its founding to a cereal magnate and its continued existence to the energy industry, but it has more going for it than the acrid smell of crude oil and rows upon rows of wind farms on the horizon. Most people driving down Highway 84 are coming from or going to Lubbock, home of Texas Tech University, or on to Amarillo. But Post, Texas is still home to a number of die-hard West Texans who live and work in the 100-year-old town. Many of the residents have lived their entire lives there, while others left at some point to find their fortunes but ended up returning with a family. One unique sort of resident was discovered in Post but has now found a permanent home on display across the state in the Houston Museum of Natural Science. This small, desert gem of a town offers a Texas-sized portion of history, culture, and art.

Garza County Museum

Linda Puckett’s husband’s family were long-time Post residents, so when she and her husband returned to Post in 1980, it was a homecoming of sorts. The Pucketts owned a trucking company at the time, but Linda quickly found her calling when the C.W. Post Historical Center needed help. In her role as director, Linda has overseen a mass expansion of the museum’s collection, including gathering items from local Post residents such as Alvin G. Davis, a renowned cowboy featured in a large room dedicated to his rodeo days and philanthropic activities. “He is the highest honored 4-H member to date. He’s quite a guy. He’s still living; we have a living legend.”

Building the collection has been a passion for Linda since she took over the museum in 1995, which meant a lot of work. “I’ve been here 22 years now. We started with three rooms and nothing and now we have a huge historical museum.” The museum is housed in the old Post Sanatorium, which served as the town hospital for a number of years. Next door is a building that served as a nursing school. “There really was nothing here; we’ve totally revamped the whole interior. Once [the residents] saw we were here to stay, they didn’t mind us having grandma’s stuff. We ended up with a lot of stuff, so now I have to be kind of selective.”

The town’s namesake, C.W. Post, is not underrepresented in the museum. Linda was quite happy when the Post estate called asking if she wanted the furniture from Post’s Battleground, Michigan office. The chairs and desk had been stored at the Hillwood Museum in Washington D.C. at Post’s daughter’s home, but the agent in charge of the display needed the space, so he thought of Linda. She has established a relationship with the estate over the years and now proudly displays artifacts from Post’s office. There is so much in the museum that Linda is planning on a massive expansion in the near future which may include building an annex to the museum dedicated to Post. “We’re running out of room inside. We have Mr. Post’s stuff in the hallway.”

OS Museum

C.W. Post built the town after obtaining the land from several ranchers; one of them was Wilson Connell, who sold Post 27,000 of his 160,000 acres and left the rest of his land to his family. Among those sections of land was the OS Ranch, named for Overall and Street, the original land owners and founders of the ranch who sold to Connell back in the 1800s.

In the building Post built on Main Street in 1911 as an office for his land and cattle company, the OS Museum now resides, independently owned and operated by the descendants of Connell. While the Garza County Museum features artifacts from residents of Post, the OS Museum features collections from around the world and has little to do with the town’s history other than its location. The late Giles McCrary, grandson of William Connell, started the museum to feature artifacts and artwork collected by the family as they traveled over the years. Christie Morris, assistant curator, explained that McCrary wanted to provide access to art that most people will not get a chance to experience. The museum rotates themed displays that change at Easter, summer, and Christmas. One of the most significant additions to the collection are the assortment of the famed Fabergé Eggs. “Mr. McCrary set the whole thing up as a nonprofit. The family doesn’t charge anything for it; we just want to make these things available to the people who live in the area and the people who come through.”

Those people include the residents as well as visitors. “We have people from literally all over the world. We have a lot of people passing through; a lot of people will stop to maybe see something downtown. All Post’s merchants are really good about promoting one another. A lot of times someone will come up and say that ‘I was down in so-in-so shop and they said I had to come see this.’ We get a lot of people from Tech as parents are driving through and they’ll stop and sometimes bring people back and they’ll stop in and see us.”

Postosuchus

One resident of the Post area that brings people to town moved away and will probably never return, although he takes with him an indelible part of the town. He is named for Post, Texas, as his formal name is Postosuchus Kirkpatriki, but he is more commonly called Postosuchus. The large animal lived in Post in the late Triassic era and David Temple, Assistant Director of Paleontology at the Houston Museum of Natural Science, is quick to point out that Postosuchus is not a dinosaur, he is a reptile. “This is really before the dinosaurs came along and you have these things which are essentially reptiles. Dinosaurs appear at the end of the Triassic and into the Jurassic.”

Researchers still visit the Post excavation from time to time for more study. The skeleton on display in Houston is not as large as a Tyrannosaurus Rex, but is similar in size to a Velociraptor. Researchers from nearby Texas Tech who regularly visit the dig site posit that Postosuchus may have been able to walk on his hind legs, but was probably a quadraped, according to studies of his skeleton. Temple said that the research was conducted using pieces of different specimens. Scientists unfortunately did not find an entire intact skeleton, but did find enough to identify Postosuchus, despite return trips to the excavation.

“We’ve been out there twice. We spent two or three days straight, ten hours a day and we didn’t really find much of anything. When you find stuff, it’s where you find it but its not everywhere. It’s kind of spotty.”

This little stretch of Highway 84 sees more traffic than one might expect from this West Texas area outside of Lubbock. Between scientists, residents, visitors, and Red Raiders driving to and from Texas Tech, the town gets a notable amount of visitors. Linda Puckett enjoys being on the route in and out of town. “We are the last stop before the interstate. We’re a good pit stop.”

So whether you find yourself traveling through the area and need a place to rest or looking for an out-of-theordinary day trip for the family, Post has plenty to offer. And if you visit on a Saturday, Puckett suggests visiting the Ragtown Gospel Theater, just north of town, for a matinée.

 

This article appears in the October, 2017 issue of TexasLiving Magazine.

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