Category Archives: Reviews

The Top of Texas

The air is dry, the wind is brisk and the Spring sun has just started its march across the clear blue sky. Even early in the morning, the trail head is bustling with activity as hikers of all ages rally around the sign-in board, each eager to begin their trek along the many varied trails that make up Guadalupe Mountains National Park. Each trail comes with its own challenges and offers its own encounters with nature—from the various types of foliage, to the diverse geology to the myriad animal life—and these people seem eager to encounter it all. They are dressed differently; some wear shorts, t-shirts and flip-flops, others are sporting the latest high tech moisture-wicking spandex, and still others are in blue jeans with hiking boots. Some have back packs, others have hydration systems and a few are only carrying small bottles of water. Each will have their own encounter with the mountain, which is what beings them all to this remote part of West Texas.

Interstate 10 west of San Antonio is often thought of as a flat, straight, boring highway, devoid of scenery. Nothing could be further from the truth. The road weaves and turns and bounces amid rolling hills, flat-topped mesas and meandering valleys all the way to El Paso. In fact, West Texas is home to the few real mountains in the state and the tallest peak is located in Guadalupe Mountains National Park. Located about an hour and a half east of El Paso near the New Mexico border just west of the Texas Panhandle, the park enjoys a steady flow of guests looking to visit the Top of Texas.

The park is an hour from the nearest town that offers hotels, restaurants or retail shopping, so visitors must remember to bring everything they will need for their trip with them. Guadalupe Mountains is part of the National Park Service, which held its centennial celebration in 2016 and has enjoyed a marked increase in attendance at all the national parks, according to Elizabeth Jackson, Chief of Interpretation, Visitor Services, and Education and Public Information Officer. “Certainly all the parks have had a good boost,” she said. “Largely our tourism increase has been [from] New Mexico and Texas,” she said of the visitors to Guadalupe Mountains. The park service debuted a program last year dubbed “Find Your Park,” which she said accounts for the dramatic uptick in attendance.

Enjoying everything the park has to offer requires more than one day, but the nearest hotel is a half hour away in White’s City or an hour away in Carlsbad, New Mexico. The park offers a few primitive camping sites near the trail head and several more in the back country as well as a couple of RV pads, but no hookups. The wind coming through the mountains requires a particular attention to detail in setting up a camp site, lest it get blown down. The sites fill up quickly and the park does not take reservations except for large groups, so arriving early is helpful. Open fires are prohibited, but propane or butane stove are allowed for cooking at the camp sites.

Guadalupe Mountains National Park offers several different hiking trails of varying degrees of difficulty. Each offers a full experience with the ecosystem, introducing the hiker to plant and animal life as they walk along the trail. The McKittrick Canyon trail is one of the most popular hikes, taking visitors into a valley full of spectacular sights. Tim and Philip Long are brothers from the Houston area and both hiked the trail. “I’ve been wanting to come here for years,” Tim said. “I’ve been to Big Bend quite a bit but I’ve never been here. I’d heard about these mountains and I’ve heard about McKittrick Canyon.”

His brother particularly enjoyed the canyon hike. “The canyon is easy,” Philip said. “Beautiful canyon. I heard about McKittrick Canyon before I’d heard about Guadalupe Peak.”

Guadalupe Peak is the draw for many hikers stomping along the trails. At 8,749 feet above sea level, the peak takes hikers up an 8.5 mile round trip trail offering a three thousand foot elevation. Hiking this trail takes on average six to eight hours to complete. Some hikers may struggle with the beginning of the trail, which features a steep incline along rocky, timber-lined steps before leveling out into the forested path. The trail switches back and forth long the entire mountain, taking hikers up and down the trail, across a bridge and over some rocky terrain before reaching the peak. The mountain is composed of different types of minerals from dolomite to limestone to sandstone and the layers are easily visible in the rock faces along the trail. As the trail goes up, the plant life changes from cactus and brush to evergreens, cypress and even deciduous, leafy trees that offer shade along the trail. Three-quarters of the way to the top is the Guadalupe Peak campground, a back-country area with five sites for primitive camping. There are no vehicles allowed on the trail, so camping equipment must be packed in along the three-hour hike.

The last part of the trail brings the hiker to the peak along very rocky terrain. At the top, a large metal monolith is perched on the rocks and several hikers take the opportunity to rest, eat and perhaps take a selfie before descending. Beside the monolith is a metal dry box with a book for hikers to sign to commemorate their trip. Shaila Rubenthaler and her boyfriend took some time at the peak to rest from their efforts to hike the trail. “I think the last part is the harder part,” Shaila mused. “I thought that after the beginning, and going through all those stairs, I was like ‘when we get to the top it’s going to be just perfect’. And then we get to the top and we’re literally like rock climbing. It was harder at the end than at the beginning. But it was worth it.”

Her attitude was shared by 71-year-old Ariel Luna, who came here at the suggestion of a family member. “My nephew came here a couple of weeks ago and he sent a couple of pictures and I said I want to do that. He said, ‘let’s go!'” Ariel even had a baseball cap made to commemorate his hike. “I don’t know if I want to do it again,” he said, adding, “I’m glad I did it.” He found the last part of the hike the most strenuous. “And we’ve still got to go down,” he smiled.

Devil’s Hall is a shorter trail with less elevation, but one that offers a different geological experience. Jackson said that the trail is quite popular. “It’s pretty rocky. Usually older kids go there. We take school groups up there. 4th graders and older. You’re hiking up to see the really cool geologic stair steps. It’s neat.” Andrew Rivera and Anouk Van Nelleftien were part of a group of thirteen students from the University of Texas Odessa cross-country team who decided to hike Devil’s Hall as a team building exercise. “We’re bonding,” Rivera said as the group easily scampered over the rocks on the trail. None of them seemed the least bit fazed by the exertion of the hike, owing to their cross-country training. “I think I’m pretty trained,” Van Nelleftien said before hopping over a large boulder.

If these three trails are the main draw for the park, there are other trails for those looking for less of a workout. For the younger kids, Smith Springs Trail is a 2.3 mile loop. “A good mile and a quarter is paved,” Jackson said, adding that there is also the Frijole Ranch museum as well as other educational offerings. “Sometimes folks do just the short Pinery trail. Some of the more adventurous groups we send to McKittrick. It is a favorite hike by most. You’re hiking deeper into the canyon rather than up.”

Charles Grenade, an Air Force retiree and avid hiker, enjoys hiking the park and offers suggestions for those wanting to hike to the Top of Texas. “Get here early. That’s a long hike to get into there. Bring plenty of water. Sturdy boots…it’s a real rocky trail. A walking stick or trekking poles are very useful.”

Jackson echos those thoughts. “We remind folks, hydration is important. One gallon per day per person. Take enough water.” She adds that it is important to know one’s limits. “You don’t use the same muscles going up that you use going down.”

Guadalupe Mountains National Park is a remote, rustic wonder in the state. Even with no resort amenities, the park attracts a steady flow of nature lovers and outdoor activists to it natural beauty.

This article appears in the September, 2018 issue of TexasLiving magazine.

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Jurassic World Jumps The Shark

More than 25 years ago, the cinema was irrevocably changed as technology was able to bring to the big screen, in startling photo-realism, creatures that had up until then, only been done with small clay models in stop motion, or normal-sized animals superimposed to look more monstrous. Computer Generated Imagery (CGI) allowed film maker Stephen Spielberg to bring dinosaurs to life in Jurassic Park and Hollywood has never been the same since. In fact, the film was so groundbreaking it set the standard for special effects that has only been increased in the interim years and it spawned several sequels, including this weekend’s Jurassic World: Fallen Kingdom. Unfortunately, for its pedigree, Fallen Kingdom suffers by comparison.

The film stars Chris Pratt and Bryce Dallas Howard reprising their roles from the first Jurassic World. Howard is the daughter of film maker Ron Howard who once starred in the 70’s TV series Happy Days, which was an immensely popular series. The show enjoyed its success until season 5 when a character performed a stunt on the show that was so unbelievable it coined the term “Jumped The Shark” to describe a show that goes so far that it exceeds the limits of believability. That family legacy continues here as Jurassic World: Fallen Kingdom jumps the shark.

Howard and Pratt are tapped to return to Isla Nublar to save the dinosaurs that have been permitted to live on the island after the events in Jurassic World. It seems that the island has a volcano that has become active and threatens to kill all life on the island. It also seems that Pratt’s personal pet raptor, “Blue,” is of particular interest in the survival effort, which is why they need Pratt’s help. Unfortunately, the rescue is not as altruistic as Howard and Pratt are led to believe and dangerous situations ensue.

Where the movie jumps the shark is that aside from the above synopsis there is no real plot to the movie, which means it devolves into nothing more than a series of action sequences loosely tied together by a common narrative. In order to create stimulating visuals, the film makers put characters in increasingly unbelievable situations and have them make decisions that no normal human being would make. It also creates a back story to explain the current situation that runs contrary to established story line from the previous films.

Howard’s Clair, so strong a character in the previous film, is reduced to bit character status in this sequel, not giving her room to grow or any opportunity to show her acting range. She is simply window dressing in this film. Even Pratt’s Owen is left flat as he gallops from scene to scene reacting to the impossible plot points with nothing more than a smirk and a shrug. Jeff Goldblum reprises his character Malcom from the first trilogy, but only inasmuch as he appears to testify before congress so the film can moralize on science run amuck.

The story also introduces a new character, Maisie Lockwood, but then doesn’t do anything with her, other than to put her in danger and in need of rescuing on several occasions, despite having potentially the greatest plot thread of the whole film. One possible explanation is that she is setting up the third film in this second franchise. Unfortunately, if other people agree with this assessment of the movie, it may not spawn a third installment.

The special effects, revolutionary in the first Jurassic Park, are run of the mill here, offering no awe inspiring graphics or breakthrough visuals. In fact, some sequences seem rushed, the overlays are obvious and the physics are problematic. It is as if the producers didn’t bother to research how hot lava really is.

Of course, the movie has to introduce a new variation of a big bad dinosaur as every other film in the franchise has done, but this big bad monster is a bit of a retread and does not engender any real sense of malice or threat beyond that of “Oh My God, It’s a Dinosaur!”

Jurassic World: Fallen Kingdom is a poor addition to the Jurassic Park franchise and is unworthy of the name. Even the most ardent dinosaur fans could skip this film and not really miss anything. The producers, in an effort to capitalize on the franchise while feeding a frenzy of mindless action, have taken the story into unbelievable plot points much like Happy Days did in season 5 where Fonzie Jumped the Shark.

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Deadpool’s Second Coming

With the explosion of super heroes raining down on both the big screen and the small screen, it is getting difficult for a title to stand out from the rest. Every season, many films are welcomed with cheers as the heroes win the day. Just three weeks ago, the box office was broken wide open by the reigning king of ensemble super hero movies with Avengers: Infinity War to the stunned silence of fans and one could be forgiven for thinking that was enough daring do for now. One would be wrong. This weekend, another super hero film (don’t call me a hero) debuted with Deadpool 2 to howls of laughter.

Ryan Reynolds lobbied Fox for years to bring the character to the big screen, especially after Fox messed up the character in X-Men part 2 (which Ryan played). Fox was not only not interested, they were so not interested that Ryan had to finance the film himself on a shoestring budget. His efforts paid off in a big way as the first R-rated super hero (stop calling me a hero) movie actually beat box office records and was heralded as a universal fan favorite. It was, in fact, so successful that it garnered studio support for a sequel.

In Deadpool 2 Reynolds resumes the titular role as the “Merc with a Mouth” who routinely breaks the fourth wall and addresses the audience directly. He is continuing his career as an assassin for hire and is effectively eliminating all of his targets, save one. His last target manages to get away and comes after our hero (I said stop calling me that) in a tragic way. Deadpool realizes he must make some changes in his life and decides to build a team after he runs afoul of the time travelling mutant known as Cable. Colossus and Negasonic Teenage Warhead return to help build the team. For this film, many more known mutants actually make appearances, a subject of angst for fans of the first film.

Reynolds’ performance is consistent with his acting style of irreverent, irresponsible, immaturity first made famous in Van Wilder and present in almost every film his has headlined. Of course, he seems tailor made for the character and it works in spades. Most of the other characters are CGI or on screen so little their performances are little worth mentioning. Josh Brolin, most recently seen as Thanos in Avengers: Infinity War, must love green screen acting as, like Thanos, Cable is partially CGI rendered. He brings a humanity to the war weary time traveler who is trying to undo a personal tragedy in the future.

The film runs 2 hours and at no time is the viewer left yawning. Nonstop action keeps attention focused on screen as well as the occasional Easter Egg that fan boys love looking for. The problem is that there are so many occasions of side-splitting laughter it is easy to miss things. It builds on a few sight gags introduced in the first film as well as creating brand new situations.

Deadpool 2 is a fine follow up to the original. It is every bit as funny as its predecessor if not funnier. One thing of note is that Deadpool 2 is the first mutant film to be released since Disney acquired 20th Century Fox, thus bringing all the mutant characters (X-men, Wolverine, Fantastic Four) back into the Marvel fold. That meant they could have included some MCU characters in this film had they so chosen. Evidently since the bulk of filming was completed before the sale, they didn’t feel it necessary to go back and add any MCU Easter Eggs, which is disappointing. The best scene by far is the mid credits sequence wherein Deadpool “fixes” mistakes.

The Super Hero genre is far from tapped out as next month brings Ant Man and the Wasp and next year wraps up the Infinity War story and introduces Captain Marvel (Not to be confused with Shazam coming also). It seems that super heroes will be on screen for the foreseeable future. Get some popcorn and candy and settle in. This is going to be a heroic ride.

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Infinity War Has No End

The summer 2018 movie season has just launched what will be the reigning king of the annual box office with Marvel’s Avengers: Infinity War. This much anticipated installment in the Marvel Cinematic Universe (MCU) ties all of the previous MCU films together in a tight package that spans galaxies and offers parts for almost every super hero and supporting character in the franchise. In fact, it wouldn’t be inaccurate to say that almost every preceding film has set up the events in this movie. With all of that setup and with all the money Disney/Marvel has spent building up the hype, this movie is poised to be the biggest blockbuster or the biggest failure in the studio’s history. And for all that, the answer to the question of success or failure is not revealed in this movie, as Avengers: Infinity War is simply a setup for the next Avenger’s movie to be released in summer 2019.

When the greater MCU was announced after the successes of Iron Man and Captain America: The First Avenger, there was a lot of talk about how the Avengers’ ensemble films would play out. Kevin Feige said early on that the Avengers would end up in the Infinity War and that the story would span two movies. Some fans were pumped by the news, while others expressed disappointment. Marvel responded to the fan’s outcry by saying that there would not be an Avengers: Infinity War part 2 and changed the working title to Untitled Avengers Movie.

This was a lie.

There HAS to be an Avenger Infinity War part 2 if for no other reason than Avengers: Infinity War doesn’t finish the story at all. In fact, it just stops in the middle of the climax with no resolution to the dramatic events unfolding during the climax. Whatever they do entitle the film, it is going to be Infinity War part 2.

Part 1 offers fans all the excitement the hype promises by tying the dangling threads of previous films such as Captain America: Civil War, Doctor Strange, Thor: Ragnarok, and Black Panther into a complicated but easy to follow story that carries the MCU heroes battling the minions of Thanos on Earth, on Titan, and in a place called Nowhere among others. The film reveals the location of the final Infinity Stone, known as the Soul Stone and demonstrates what the stones do individually and together. We even see the return of characters believed long dead.

The recurring theme of sacrifice carries throughout the film as most of the heroes offer to sacrifice themselves for the greater good. In fact, it has been a foregone conclusion that one of the primary heroes will not survive the Infinity War and much discussion has been devoted to guessing which one will make that ultimate sacrifice. Rest assured no one will guess correctly.

The movie is very entertaining and in many ways, quite satisfying. But I cannot say I left the theater satisfied. In fact, when the credits started rolling, no one clapped, which is testament to the complete lack of satisfaction this film provides with regard to the story at the film’s end. Is it worth seeing? Yes. Is it good? Yes. But don’t go thinking you’re going to get the whole story. It isn’t finished yet. Do go see it, if for no other reason that to know what’s coming in the next Untitled Avengers movie. Of course, Marvel can pull a fast one and resolve all the issues that Infinity War creates in one of the other films in the pipeline like Ant Man and the Wasp or Captain Marvel.

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Play The Game

As a child of the 70’s and a teen of the 80’s, I find shows that delve into the pop culture of those decades particularly compelling. I thoroughly enjoyed the Netflix series Stranger Things which featured so many Easter eggs of the 80’s it has become a cultural phenomenon for this decade. Easter eggs are small hidden references in media that harkens to another film, show or game. Cultural Easter eggs are also the point of Stephen Spielberg’s latest film, Ready, Player One, and viewers will spend much of the film trying to identify all of them. The movie is an adaptation of the novel by first-time author Ernest Cline, a self-described child of 80’s culture who takes the title from the experience of playing most 80’s video games. While most viewers will find satisfaction in this film looking for and identifying the parts of 80’s pop culture that are significant to them, the movie does work on its own merits as well, although it does have to overcome one or two challenges to do it.

The movie centers around a young man in a dystopian future where people escape the pain of daily life by plugging into a virtual reality world called the Oasis where people can become anyone they wish to be. Many people chose to become super heroes or characters from films and TV. The Oasis is so pervasive that its virtual economy drives the real world economy. The Oasis was designed and built by two men who have become legends to users and when they end their partnership, it creates ripples across the world. One of them dies and leaves his stake in the oasis to the person who can complete three puzzles in the Oasis to unlock Easter eggs and win the contest. Much like the sword in the stone, no one has proven worthy to win the challenge. Until now.

The Hero of the film is Wade Watts (AKA Parzival), portrayed by Tye Sheridan, a loner who competes in the contest as a loner without the benefit of a “pack.” He does, however, have other loners that have become friends while idolizing the mysterious player known only as Art3mis. Parzival and his friends soon realize that in order to beat the corporate team known as the IOI’s to the win the game, they must pool their knowledge. But even then, will it be enough?

The film is almost entirely CGI, since most of the engagement is in the Oasis, with the occasional back story being film with the real actors. One would think that with this technological advantage the 3-D version of the film would be spectacular. Unfortunately, it did not use the technology to its advantage and the 3-D was subpar, even though the imagery was very good. The textures were some of the best yet, especially the skin textures of the character’s avatars. It was difficult to distinguish between the CGI and the actual film sets in some scenes.

The acting was probably the biggest challenge the film facing it, as most of the cast are unknowns and their performance was rather stiff and stilted. Add the fact the CGI avatars suffer from the CGI inability to convey the subtleties and nuances of human expression and the performance suffers accordingly.

The story does fall into the standard quest formula with the requisite challenges the protagonist must overcome to reach his goal, but the characters do a good job of driving the story through the plot by being engaging and easy with which one can identify. The other challenge is that the film is long at two-and-a-half hours and drags at times. If the script had been tightened up, the film would have flowed much better.

Ready, Player One is a good movie to enjoy in the cinema, although not necessarily in 3-D. Spend the time watching for the Easter eggs that are individually significant, as there has to be at least one. Parzval drives a DeLorean that is a mash-up of Marty McFly’s time machine from Back to the Future, the Ghostbuster’s hearse and KITT from Knight Rider. The Iron Giant makes an appearance, as does King Kong, and MechaGodzilla. The reference to the 1980 film Excalibur was my personal favorite.

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The Black Panther Claws the Box Office

A second super hero movie has the internet all atwitter this week with accolades such as “historic” and “triumphant” pretty much for the same reasons.  Last year’s Wonder Woman was the first female super hero movie and the first directed by a woman.  This year, “The Black Panther” is touted as the first super hero movie with a Black protagonist and directed by a black director.  Now the veracity of that claim can be and has been debated, but that is irrelevant to the quality of the film.  The Black Panther is a character in the Marvel Cinematic Universe (not the only black one) that interacts with the Avengers.  His character was introduced in 2016’s Captain America Civil War and played a major role in the events of that film.  In this movie, we learn more about the Black Panther and his alter ego, King T’Challa, ruler of the fictional African country of Wakanda, but the focus of this movie is not really T’Challa or the Black Panther.  One could argue the movie is actually about Wakanda.  As Wakanda is in Africa, it follows that this movie will feature predominately black characters.  In fact, the only principle characters that are not black is Andy Serkis’s Klaw and Martin Freeman’s Ross.  Given the setting of the movie and the characters, one would expect certain social commentary about race relations.  This film does not shirk in this regard, and in fact, is a bit “in your face” about it, almost too much so, which is the only problem I have with this otherwise enjoyable action movie.

One observation that bears notice is that story told in “The Black Panther”, while set within the MCU, has absolutely no bearing on the greater MCU story arcs. There is no mention of the Infinity Stones, the Avengers or any other heroes at all.  In fact, it almost seems as though Freeman’s Ross was tacked on just to tie it in, as his presence really doesn’t move the plot much.  Having said that, he does offer a bit of humor.

The rest of the cast turn in solid performances.  Chadwick Boseman reprises his role as King T’Challa and brings the same brooding strength to this performance.  His likeable naiveté dares the viewer not to like him.  His skills as the Black Panther, while impressive, are still developing and he finds himself in dire straits on more than one occasion.  Boseman conveys this and portrays T’Challa’s learning process convincingly.

Angela Basset stars as T’Challa’s mother and brings out his humanity along with Letitia Wrght’s performance as Shuri, T’Challa’s sister.  We also meet his ex-girlfriend and the general of the king’s guard, who all serve to help T’Challa face his first major challenge as king: A literal challenge for the throne from his American cousin, Killmonger, played by Michael B. Jordan.

The story is full of intrigue and more than one plot twist and if the writers and producers had left it at that, it would have made for an outstanding movie.  But with the current social climate, they couldn’t resist attacking the perceived “white-dominated” power structure in the world that was only serving to keep down “those who look like us,” as Killmonger says.

Of course, the film will win the box office.  It is an MCU film, after all, and opening on a weekend bereft of any real box office competition.  The movie was enjoyable, but it doesn’t rank as high as Civil War or Guardians of the Galaxy, and while it is good, it is not quite historic or triumphant.  Movies should earn those accolades with plot, character and message, not by the gender or the color of the skin of the actor or director.  I still give it a thumbs up.

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Searching For Hope: The Last Jedi Answers

Questions answered and questions raised: That could be the subtitle of the latest in the Star Wars franchise hitting theaters this weekend. The Last Jedi picks up immediately after the events of The Force Awakens, with the resistance evacuating their base and Rey finding Luke Skywalker and Fynn in a coma. That first of the third trilogy left a lot of plot threads hanging and a lot of questions unanswered. The Last Jedi follows suit, but does so in a much better fashion, with much better writing.

The First Order has the republic on the ropes, with the remnants of the imperial rebellion now calling themselves the resistance and scattered to the outer rim planets while the command core is trying to escape the First Order’s dreadnaught. The future looks bleak for our heroes as they fight to hold onto that one thing that they hold most dear: Hope. For some, that hope is embodied in the last Jedi Master who has been missing for many years, Luke Skywalker. For others, hope is in the form of the new cadre of heroes like Poe Dameron and Fynn Rider. Everyone will begin to lose hope as the First Order closes in.

While both this film and The Force Awakens are produced by J.J. Abrams, this one was written and directed by Rian Johnson, with George Lucas sharing the writing credit. Perhaps it was the new writer, perhaps it was a fresh vision, but The Last Jedi stands taller as a standalone story and less of a retread like its predecessor. The Force Awakens had too many similar elements with A New Hope and felt too familiar and predictable. The Last Jedi dares the viewer to try to predict the outcome as it offers multiple threads that twist and interweave with each other. Some may try to draw similarities with The Empire Strikes Back, and, superficially, there may be. It is the second act in a three act story, and as such, certain things typically happen with regard to the hero’s struggle. They happened in The Empire Strikes Back and they happen in The Last Jedi. It is how they happen that sets this story apart.

The characters actually relate with each other better in this story and act within the established motivations that Johnson established for them. The newer characters of Rey, Fynn and Kylo are now much more fully realized and relatable, making a connection with the viewer that they lacked in The Force Awakens. The Last Jedi adds even more new characters, such as Laura Dern as Vice Admiral Holdo and Kellie Marie Tran as Rose, and each of them makes a lasting connection to the story and the viewer.

There is one thing about Abrams that even the most dedicated opponent cannot deride and that is his artistic visuals. If there was one thing that could be considered problematic, it would be that he relies too much on the visuals at the expense of story—a problem that plagued Abrams’ Star Trek. The Last Jedi doesn’t suffer for its visuals, indeed, they accentuate the story by how appropriate to the mood and setting they are. The sacrifice of the heavy cruiser is one of the most arresting visuals in the entire Star Wars franchise and drew a collective gasp from the audience.

The Last Jedi tells a new chapter in the epic Star Wars story and picks up where The Force Awakens left off. Some of the questions left hanging at the end of Force Awakens do get answered such as what happened to Ben Solo and why did Luke go into hiding. The question of exactly who Snoke is and where he came from is rendered moot. There is even an answer given as to who Rey’s parents are, but the answer is, of course, in question as even more questions come to the fore. Those questions will drive the discussion boards for the next two years.

The Last Jedi will win the box office for its opening weekend, and the Christmas season and probably for the year. Once word of how much better the writing is gets out, it will be heralded as one of the best of the franchise. It is much better than The Force Awakens, better than all three prequels combined and at least as good as The Empire Strikes Back, even if it does leave the viewer asking more questions.

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