Disney has officially kicked off Marvel’s phase 4 of the MCU with the release of Captain Marvel in cinemas Thursday. The much-hyped film, touted as the new standard bearer for the Marvel franchise, features Marvel’s first female super hero to get her own title. As such, many feminists have joined a chorus touting the film as a feminist anthem without the benefit of actually watching the movie. This follows the hype of Black Panther as offering the first black super hero to get his own movie. Even before Captain Marvel was released, the movie was being bashed online by one group while being vociferously defended by another. It is unfortunate that Captain Marvel does not fair well by the comparison.
The film tells the story of Carol Danvers, an air force pilot who rankles at being denied the opportunity to be a combat pilot because she is a woman, taking a female scientist (Annette Benning) on a flight in an experimental aircraft and encountering unexpected problems. The film starts with our heroine fighting along side a noble band of warrior heroes already introduced in the MCU as the Kree. Vers—as she is called by the Kree—has an aggressive, emotional fighting style that frustrates her mentor played by Jude Law. She also has powers and abilities that no other Kree seems to possess, and she has no memory beyond six years prior. Through the course of her adventures, she uncovers the secret of her prior life and how she came to the Kree and how she obtained her awesome powers.
The Kree are engaged in a long-fought war with a race known as the Skrull; shape-changing aliens who can assume any identity down to the DNA. The war reaches Earth, where Vers encounters agents of SHIELD Fury and Coulson, who help Vers unravel the mystery of her origin and the secret behind the war.
The movie is full of CGI special effects, as all Disney movies seem to be these days. The age-regression on Samuel L. Jackson’s Nick Fury and Clark Gregg’s Phil Coulson are superb. They don’t look a day over 35. The fight sequences are fantastic and visually stunning, as are the Skrull transformation effects.
The story is set in 1995 (Vers crashes into a Blockbuster Video store loaded with VHS tapes) and has a lot of popular cultural Easter eggs for those who like searching for them. There is no discussion of or reference to any other super heroes or mutants, though at the end of the film, we see Fury typing the first draft of his “Avengers Initiative.” It makes no reference to Thanos, but it does include Ronin, who we first met in Guardians of the Galaxy. The first post credits scene does tie back to the events in Infinity War as Captain America and Black Widow are trying to see who Fury was texting right before he disintegrated. This is the only tie in to the greater MCU story arc, which was a bit disappointing.
The film is somewhat long, running at 124 minutes, but seems longer. Despite the incredible, gratuitous action sequences, the film does drag in spots. The plot is straightforward, if somewhat predictable and offers no insight on the deeper motivations of the main characters. Why the villain does what he does is never discussed. What is the primary motivation for the Kree war? Why did the Kree keep Carol Danvers on Hala and more important, why conscript her into their army? These could have been great story arcs to explore and made a more compelling movie than the string of action sequences the film provides.
There are also some continuity errors. In Captain America: The Winter Soldier, we learn that Fury lost his eye infiltrating a terrorist camp to save Alexander Pierce’s (Robert Redford )daughter. In Captain Marvel, there is an alternative history. Also, the Tesseract appears in this film, with no explanation of how it got there, when last we saw it (timeline-wise) it was lost in the arctic.
Brie Larson’s portrayal of Carol Danvers is problematic. Larson is a fine actress; her Oscar win for “The Room” is a testament to that. Carol Danvers is a great character in the comic books, full of heroism and faults like the pantheon of Marvel heroes before her. But we don’t see Larson really bringing Danvers to life. She isn’t given the opportunity to explore the frailties that drive Danvers to excel as a hero. Also, Captain Marvel is so powerful in the film that an even a space armada cannot slow her down. She never doubts herself or her role in what is happening to her and around her. There just isn’t any emotion from her at all. I don’t think it’s Larson’s fault. I think it is the staff of writers and directors that all had their fingers in this pie that was trying to please fan boys and feminists too much that they failed to satisfy either. This is why both groups are fighting online so much.
Hopefully, Endgame will give Captain Marvel more material to work with and allow the viewers to see more of the humanity of what is right now the most powerful hero in the MCU. Having said all that, Captain Marvel is an entertaining film. While not as funny as Guardians of the Galaxy or Thor: Ragnarok, it has the occasional chuckle. It plays out like a comic book, which, considering the source material, is a good thing. But it could have and should have been so much better. It falls in the middle of my ranking of MCU titles.