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Searching For Hope: The Last Jedi Answers

Questions answered and questions raised: That could be the subtitle of the latest in the Star Wars franchise hitting theaters this weekend. The Last Jedi picks up immediately after the events of The Force Awakens, with the resistance evacuating their base and Rey finding Luke Skywalker and Fynn in a coma. That first of the third trilogy left a lot of plot threads hanging and a lot of questions unanswered. The Last Jedi follows suit, but does so in a much better fashion, with much better writing.

The First Order has the republic on the ropes, with the remnants of the imperial rebellion now calling themselves the resistance and scattered to the outer rim planets while the command core is trying to escape the First Order’s dreadnaught. The future looks bleak for our heroes as they fight to hold onto that one thing that they hold most dear: Hope. For some, that hope is embodied in the last Jedi Master who has been missing for many years, Luke Skywalker. For others, hope is in the form of the new cadre of heroes like Poe Dameron and Fynn Rider. Everyone will begin to lose hope as the First Order closes in.

While both this film and The Force Awakens are produced by J.J. Abrams, this one was written and directed by Rian Johnson, with George Lucas sharing the writing credit. Perhaps it was the new writer, perhaps it was a fresh vision, but The Last Jedi stands taller as a standalone story and less of a retread like its predecessor. The Force Awakens had too many similar elements with A New Hope and felt too familiar and predictable. The Last Jedi dares the viewer to try to predict the outcome as it offers multiple threads that twist and interweave with each other. Some may try to draw similarities with The Empire Strikes Back, and, superficially, there may be. It is the second act in a three act story, and as such, certain things typically happen with regard to the hero’s struggle. They happened in The Empire Strikes Back and they happen in The Last Jedi. It is how they happen that sets this story apart.

The characters actually relate with each other better in this story and act within the established motivations that Johnson established for them. The newer characters of Rey, Fynn and Kylo are now much more fully realized and relatable, making a connection with the viewer that they lacked in The Force Awakens. The Last Jedi adds even more new characters, such as Laura Dern as Vice Admiral Holdo and Kellie Marie Tran as Rose, and each of them makes a lasting connection to the story and the viewer.

There is one thing about Abrams that even the most dedicated opponent cannot deride and that is his artistic visuals. If there was one thing that could be considered problematic, it would be that he relies too much on the visuals at the expense of story—a problem that plagued Abrams’ Star Trek. The Last Jedi doesn’t suffer for its visuals, indeed, they accentuate the story by how appropriate to the mood and setting they are. The sacrifice of the heavy cruiser is one of the most arresting visuals in the entire Star Wars franchise and drew a collective gasp from the audience.

The Last Jedi tells a new chapter in the epic Star Wars story and picks up where The Force Awakens left off. Some of the questions left hanging at the end of Force Awakens do get answered such as what happened to Ben Solo and why did Luke go into hiding. The question of exactly who Snoke is and where he came from is rendered moot. There is even an answer given as to who Rey’s parents are, but the answer is, of course, in question as even more questions come to the fore. Those questions will drive the discussion boards for the next two years.

The Last Jedi will win the box office for its opening weekend, and the Christmas season and probably for the year. Once word of how much better the writing is gets out, it will be heralded as one of the best of the franchise. It is much better than The Force Awakens, better than all three prequels combined and at least as good as The Empire Strikes Back, even if it does leave the viewer asking more questions.

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Going Rogue One

One of the most heated debates raging in Science Fiction fandom is the Star Wars canon, and what is actually included in it. When George Lucas first released Star Wars in 1977, not he, nor the studios anticipated the popularity of the film and no one could have anticipated its longevity and wide ranging appeal. It has spawned three sequels, numerous books, a couple of cartoon series, several video games and three prequels. Each of these additions tells a different story based in the same universe, sometimes using the same characters. The debate rages over which of these additional stories is “real,” and which is entirely outside the main story. Some say that only the movies are canon, while others say everything is. This weekend sees the first cinematic “additional story” to add to the Star Wars Universe and it is going to add fuel to the fire of this debate.

Rogue One tells a story set between the end of Star Wars episode three, “Revenge of the Sith” and before the events of episode four, “A New Hope,” wherein a young girl, the daughter of the man who designed the dreaded Death Star, joins the rebellion to help the alliance get the plans that are the crux of episode four. I need not worry about spoilers inasmuch as everyone who has seen the original Star Wars knows that the rebels do indeed get the plans and destroy the Death Star. Having said that, one might ask why bother to see this movie. Two reasons: Felicity Jones and Darth Vader.

Jones plays Jyn Erso, a loner who saw her mother killed and father enslaved by the empire and grew up under the care of one of the more radical elements of the rebellion, Saw Gerrera played by Forest Whitaker. A reluctant rebel at first, she manages to motivate the rebels into attacking the empire to try to get the plans for the death star to exploit the weakness her father built into it. This is where the debate is going to rage. According to episode four, the alliance didn’t know if there was such a weakness. Leia even mentioned it to Han Solo by saying “I only hope a weakness can be found.” According to the events in Rogue One, they knew there was a weakness.

Jones does a great job of playing the reluctant hero, and she brings the viewer into Jyn’s tortured world and allows us to understand her motivations. We cheer at her victories and weep for her sorrows and we can’t help but think of her as the little sister who we know is in over her head. This is facilitated by the fact that she looks just like a younger Sara Michelle Gellar.

Vader is a bit of a surprise here, because he actually fights better here than he did in Empire Strikes Back. James Earl Jones reprises the role of Vader’s voice while three actors have credit for his actions. He doesn’t have a lot of screen time, but enough especially at the end when he is pursuing the stolen plans that will eventually lead him to Tatooine.

Several familiar characters enjoy appearances in this film. Of course, Darth Vader has a role, but so does Grand Moff Tarkin played by Peter Cushing’s face digitally stitched onto another actor. Also, princess Leia has a cameo with Carrie Fisher’s younger face digitally stitched onto another actress. The ruffian who roughed up Luke Skywalker in A New Hope makes an appearance as does C3P0 and Artoo.

There is another droid in this film, a reprogrammed imperial service droid is the partner of Jyn’s pilot Cassian Andor. The droid, K-2S0 is voice by Alan Tudyk who gives the droid a quick wit and a bit more humanity than even C3P0, if that is at all possible. As I watched the character’s interaction, I kept saying to myself, ‘that violates the laws of robotics.” But maybe that’s the point.

The film’s weakness is its beginning. Too many scene changes and too many plot threads make it difficult to follow along at first and it threatens to throw the viewer out of the story out of frustration. This is necessary to familiarize the viewer with all the moving parts of this story, since, unlike every other Star Wars movie, there is no text crawl at the beginning to set the stage. Fortunately it does pick up when the main story arc becomes clear.

While this is by far not the best Star Wars film, It isn’t the worst one either. There’s no Jar Jar Binks in this one. While it definitely won’t win an academy award (though it may get a technical nod), Rogue One is an entertaining escapist film. It will defiantly be water cooler discussion fodder for weeks as fan boys debate whether or not or even how it fits in the established Star Wars lore.

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